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Facing the Winter Sun

Rio Grande from Coronado State Monument, Bernalillo, New Mexico

Rio Grande from Kuaua Pueblo, Coronado State Monument, Bernalillo, New Mexico

Today is the winter solstice, which also makes it the fifth anniversary of this blog. I tend to like to post about archaeoastronomy on these occasions, and as I mentioned in the previous post I’m currently in Albuquerque and have been reading up on the archaeology of the Rio Grande Valley. Luckily, a recent article I read has a very interesting archaeoastronomical proposal specific to this region, which makes everything come together nicely. Getting to that point requires some explanation of the context first, however.

Today the northern Rio Grande Valley is one of the main centers of Pueblo population, and this was also true at the time the Spanish arrived in the sixteenth century. It’s been clear to archaeologists since the late nineteenth century that the modern eastern or Rio Grande Pueblos belong to the same overall cultural tradition as both the modern western Pueblos (Laguna, Acoma, Zuni, and Hopi) and the prehistoric Pueblo sites found all over the northern Southwest. Within this overall cultural tradition, however, there are noticeable differences in certain aspects of culture between the Rio Grande Pueblos and those further west, as well as between both groups and the prehistoric sites. The long and complicated history of interaction between the Rio Grande Pueblos and the Spanish has both led to cultural changes in this region and made the modern Pueblo residents very reluctant to reveal information about their cultures to anthropologists. Both of these phenomena make understanding the background of Pueblo diversity exceptionally difficult.

As a result, archaeological research in the northern Rio Grande area has proceeded along a somewhat different course from research further west. While extensive early research at well-preserved abandoned sites at places like Chaco Canyon and Mesa Verde led to the formulation of a robust and well-supported relative chronological scheme by the late 1920s that was soon anchored by the absolute dates provided by tree-ring dating, fitting the Rio Grande sites into this sequence proved to be a challenge. Alfred Vincent Kidder’s extensive excavations at Pecos provided clear evidence of continuity between prehistoric and historic Pueblo culture, which allowed the historic Pueblos to be easily placed at the end of the sequence, aligning earlier developments in the east and west proved to be a challenge. Pecos itself was founded quite late in prehistory, and very few other prehistoric sites had been excavated in the Rio Grande area. The so-called “Pecos System” of chronology and culture history was actually based primarily on western sites, and over time it became clear that it didn’t fit the emerging picture of Rio Grande prehistory pretty well. That picture, based primarily on survey and excavation work done by the Laboratory of Anthropology at the Museum of New Mexico starting in the 1930s, by the 1950s resulted in a new framework for eastern Pueblo prehistory.

The main architect of the new system was Fred Wendorf, an archaeologist at the Museum of New Mexico who had done a lot of the work of documenting sites in the region. He published a paper in American Anthropologist in 1954 describing his proposed system, which consisted of five periods:

  • Preceramic: Before AD 600
  • Developmental: AD 600 to 1200
  • Coalition: AD 1200 to 1325
  • Classic: AD 1325 to 1600
  • Historic: AD 1600 to present

Contrast this to the Pecos System, as presented by Joe Ben Wheat in a paper published in the same journal in the same year:

  • Basketmaker II: Before AD 400
  • Basketmaker III: AD 400 to 700
  • Pueblo I: AD 700 to 900
  • Pueblo II: AD 900 to 1100
  • Pueblo III: AD 1100 to 1300
  • Pueblo IV: AD 1300 to 1600

The most obvious difference between the two systems is that the Pecos System contains more periods. A more subtle difference is that in the Pecos System all of the periods are associated with agriculture, which appeared quite early in the Four Corners area. Exactly how early was not quite clear in 1954; Wheat says it was “about the time of Christ.” In the Rio Grande, on the other hand, the Developmental was the earliest agricultural period in Wendorf’s scheme as well as the first ceramic one, preceded by a Preceramic period that was totally undated at the time but that Wendorf suggested may have lasted quite late, even after the beginning of the Developmental.

This pattern of delayed appearance of typical “Anasazi” cultural phenomena in the Rio Grande persisted throughout Wendorf’s scheme. He defined the beginning of the Coalition period by the switch from mineral to organic pigment in pottery decoration, a trend which had been gradually diffusing east from Arizona over the past few hundred years. Similarly, the beginning of the Classic was defined by the appearance of glaze-decorated ceramics, which had appeared a few decades earlier in the Zuni area. The Historic period began with the onset of Spanish colonization. In general Wendorf’s period definitions depended heavily on trends in pottery decoration, in contrast to the Pecos periods which were defined by a broad suite of material culture changes, with architecture especially important. One reason for this was that architecture and other cultural traits were bewilderingly diverse within each of these periods, especially the Developmental, and this diversity was apparent even with the very small number of excavated sites at that time.

Palace of the Governors, Santa Fe, New Mexico

Palace of the Governors, Santa Fe, New Mexico

Wendorf’s scheme was in conflict on various points with a different scheme for Pueblo culture history as a whole developed by Erik Reed of the National Park Service. After Wendorf’s paper was published, discussions between the two led to an updated version of it published under both their names the next year in El Palacio. This paper has been extremely influential and the framework it established has been used by most archaeologists in the Rio Grande area since. The basic outlines of the framework are the same as those in Wendorf’s 1954 paper, with the changes involving the correction of the numerous typos in that paper, the addition of data from more recent excavations, and a somewhat different discussion of attempts to correlate archaeological phenomena with the complex distribution of modern linguistic groups. The latter was a particular interest of Reed, whose theories on it had been criticized by Wendorf in the earlier paper. I find it interesting as well, but I won’t get into it here.

Instead my focus here is on Wendorf and Reed’s Developmental period. Wendorf originally defined this period based on extremely limited information as a time of low population, diverse architectural styles and settlement patterns, and evidence of cultural influence from the San Juan Anasazi to the west. Population was extremely limited until about AD 900, when many more sites appear to have been inhabited and sites began to appear in the northern part of the region for the first time. This is the time of the rise of Chaco, and local Rio Grande ceramics show clear similarities to Chacoan types. Some archaeologists, including Reed, had argued that this rise in population came from an actual immigration of people from the Chaco area, but Wendorf doubted this, pointing out that other cultural traits showed considerable differences from Chacoan patterns. He suggested that while there could well have been some immigration from the west at this time, it was more likely from somewhere like the Mt. Taylor area that was part of the general Chacoan sphere of influence but closer to the Rio Grande, and that the number of people was likely small.

Architecture during the Developmental period was varied, with site sizes ranging from ten to 100 rooms and one to four kivas. The kivas were round and lacked most of the typical Chaco/San Juan features such as benches, pilasters, and wall recesses. They also usually faced east, in strong contrast to Chaco kivas, which usually faced south or southeast, even when they were associated with east-facing surface roomblocks (a common pattern for small houses at Chaco).

While the Wendorf and Reed system has remained in general use among Rio Grande archaeologists, the Developmental period in particular has seen much more data emerge from subsequent research, much of it associated with cultural resource management salvage projects. Cherie Scheick argued in a 2007 article that the period was much more diverse and complex than Wendorf and Reed had portrayed it as, illustrated by two nearby and contemporaneous sites in what is now Santa Fe that nevertheless had quite different ceramic assemblages which would place on in the Developmental period and the other in the Coalition period based on the Wendorf and Reed system. (This sort of thing is a major flaw with chronologies based mainly on ceramic styles, since time is by no means the only factor affecting differences in pottery.) Basically there seems to have been a long transitional period between the Developmental and Coalition in which communities with a variety of ceramic styles existed in close proximity. In particular, the introduction of carbon pigments seems to have been more variable than Wendorf and Reed realized, and they coexisted with mineral pigments for a substantial period. Scheick also points out that, contrary to what some earlier researchers had thought, there are no particular patterns over time in the architecture, such as larger villages developing later in the Developmental period.

Lurking in the background of all this research is the question of the abandonment of the Mesa Verde region and whether any of the apparent increases in population in the Rio Grande correspond to an influx of people from that area. Wendorf and Reed placed this migration in the middle of their Coalition period, with the appearance of a ceramic type, Galisteo Black-on-white, that is very similar to late Mesa Verde Black-on-white, and various other changes in material culture in the region that accompanied a population increase. However, recent research in the Mesa Verde region itself has suggested that the depopulation was a longer-term process beginning much earlier than previously thought, so some of the changes in the early Coalition period, could also be due to immigration. The basic problem is that while there are plenty of individual examples of similarity between San Juan/Mesa Verde culture and Rio Grande culture over a long period of time, there are no sites showing a complete package of San Juan cultural traits. There seems to be an emerging consensus that this is because the migration was primarily not of entire communities moving as units but of smaller units (families or lineages) that joined existing communities in the target region, perhaps ones that they had had earlier contact with through trade or other activities.

Round Kiva at Kuaua Pueblo, Coronado State Monument

Round Kiva at Kuaua Pueblo, Coronado State Monument, Bernalillo, New Mexico

An additional piece of evidence for this idea comes from the paper I mentioned at the beginning of this post, published by Steven Lakatos in 2007. Lakatos did an analysis of features in Rio Grande pit structures (kivas) during the Developmental period. He looked at size, orientation, and presence or absence of a hearth, an ash pit, a deflector, and a ventilator in a total of 131 excavated pit structures in the Rio Grande Valley dating to AD 600 to 1200. He looked at specific types of each of these features and came up with a wide variety of statistical comparisons. The sample sizes for most of the subsamples he looked at are so small, however, that I doubt many of these comparisons are meaningful. His overall conclusions, however, are probably reliable.

Lakatos found that there is a consistent pattern of features in pit structures throughout the Developmental period: hearth, ash pit, deflector, and ventilator, sometimes accompanied by sipapu and/or ash grinding stone, in a row aligned to the east-southeast (average azimuth from true north of 118 degrees for the Early Developmental period and 123 degrees for the late developmental). This is in strong contrast to the San Juan (Chaco/Mesa Verde) kiva pattern, where ash pits are rare, other features like benches and pilasters are common, and orientation is usually to the south or south-southeast. Lakatos notes that this Rio Grande kiva pattern continues into the Coalition period and later, as kivas become more formalized community-scale integrative structures, and while all the features in the complex potentially had originally mundane uses, the formalization of the pattern and its persistence over time suggest that at some point it acquired ritual significance. He notes the ritual importance of ash to modern Rio Grande Pueblos as a way of explaining the ash pit and ash-grinding stone as ritual features. The persistence of the pattern into the Coalition period and beyond suggests to Lakatos that immigrants to the Rio Grande from Mesa Verde and elsewhere not only joined existing communities, but largely assimilated to existing religious and cultural practices in an area that had developed a distinctive identity already. Thus, the reason it is so hard to pinpoint continuity between San Juan and Rio Grande archaeological sites is that the San Juan immigrants changed their culture to conform to Rio Grande practices.

I’m not sure I buy that there was quite as much continuity in the Rio Grande as Lakatos and other Rio Grande archaeologists tend to think. Looking at it from the outside, the ceramic evidence certainly seems to imply at least some continuity with Mesa Verde culture, and a close examination of what little ethnographic information is available on the Rio Grande Pueblos may reveal other traits of western or northern origin. Still, Lakatos’s evidence for continuity in kiva form looks convincing to me, and the patterns he identifies are certainly quite different from those of Chaco and Mesa Verde. The fact that his interpretation meshes well with other research suggesting migration by small groups into established communities is also encouraging.

So what does all this have to do with the winter solstice? Well, Lakatos also calculated the azimuth of winter solstice sunrise for the Albuquerque area in AD 1000, and it was 119 degrees east of north. This is strikingly similar to the average azimuths of the kiva alignments he analyzed, which have small standard deviations indicating strong clustering around the average values. The variation that does exist could easily correspond to local horizon variation in this rugged, mountainous region. Lakatos expresses surprise at this finding, but it makes perfect sense to me. The winter solstice is an enormously important event for the modern Pueblos, as Lakatos discusses, and pointing their kivas toward it would be a natural response to that importance. And with that in mind, I wish all my readers a happy solstice.

ResearchBlogging.org
Lakatos, SA (2007). Cultural Continuity and the Development of Integrative Architecture in the Northern Rio Grande Valley of New Mexico, A.D. 600-1200 Kiva, 73 (1), 31-66

Wendorf, F (1954). A Reconstruction of Northern Rio Grande Prehistory American Anthropologist, 56 (2), 200-227 DOI: 10.1525/aa.1954.56.2.02a00050

Wendorf, F, & Reed, EK (1955). An Alternative Reconstruction of Northern Rio Grande Prehistory El Palacio, 62 (5-6), 131-173

Opening the Palace

Palace of the Governors, Santa Fe, New Mexico

Palace of the Governors, Santa Fe, New Mexico

I’m currently in Albuquerque visiting my mom, and while I’m here I figured I read up on the archaeology of the Rio Grande Valley and do some posts on it. I’ve read some interesting articles from the journals I have access to, and I’ll have some substantive posts soon based on that, but one thing that has limited me so far is that so much of the early archaeological literature on this region was published in El Palacio, the magazine of the Museum of New Mexico (named after the Palace of the Governors, the original location of the museum). Today this is basically a glossy (but serious and substantive) magazine aimed at a popular audience, but in its first few decades it functioned more like a scholarly journal and was the primary venue for publication of research on the archaeology, anthropology, and history of northern New Mexico.

The problem with this for someone like me had been that, unlike other major publication venues for this kind of research that have evolved into (or been created as) peer-reviewed scholarly journals, El Palacio is not included in any of the major academic databases, and it could only be found on paper in libraries that happened to subscribe to it. This made it effectively impossible for me to access it, given geographic and time constraints, so I was at a distinct disadvantage in understanding the archaeology of this region.

That’s all changed, however. I discovered today that, apparently as part of the commemoration of the magazine’s centennial this year, El Palacio has put its entire archive online. The interface is a little clunky, and it looks like it’s only possible to download pdfs of entire issues rather than individual articles, but this is still a fantastic resource that has suddenly become vastly more accessible. Given my general interest in open access publishing and making data broadly available, I figured it was worth doing a post to point this out. I’ll have some more posts on the actual archaeology of the northern Rio Grande soon.

Mercer Museum, Doylestown, Pennsylvania

Mercer Museum, Doylestown, Pennsylvania

I was in Philadelphia for Thanksgiving, and the next day I went with my family to the quaint nearby town of Doylestown, where we visited two local museums: the Michener Museum (named after, yes, that Michener, who grew up in Doylestown and spent most of his life in the area) and the Mercer Museum. The Michener is basically a local art museum, and we went there to see an exhibit about Grace Kelly, who is a big deal in the Philadelphia area. Not really my kind of thing, but it was fine.

The Mercer, on the other hand, is a really unusual sort of museum. It was established by Henry Mercer, a Doylestown native who had a variety of interests and a good deal of money with which to pursue them. He studied law but never practiced it, instead going into archaeology in the 1890s. I haven’t found much information about his specific contributions to American archaeology, which was in its infancy at that time, except that he apparently supported the authenticity of the obviously forged Lenape Stone that allegedly contains an image of a mammoth and is now part of the Mercer Museum collections (though not on display).

In the late 1890s, however, Mercer came to the realization that the advancement of industrialization meant that most aspects of traditional life in the US were likely to disappear forever, and he began to collect what were then considered mundane objects for the museum of the Bucks County Historical Society. He collected huge numbers of things from all aspects of pre-industrial life, over time branching out to the US as a whole and eventually other parts of the world as well. His collection got so big that he built a new building to house it, using an innovative design and construction approach using poured concrete. He organized the collection thematically by the sorts of societal needs that objects served, and put together display cases by category.

The museum is still much as he designed it, although there have been various changes over the years. It’s a fascinating place, idiosyncratic and full of extremely detailed information. What I found especially interesting, however, was the way the museum’s own self-descriptions explicitly tied Mercer’s collecting of what most people considered “junk” to his earlier interest in archaeology. That is, one way to see what Mercer was doing was taking an archaeological approach to studying and preserving the material culture of the present and recent past, to ensure it would be understood in the future. This approach was quite ahead of its time for both history and archaeology, and the museum that resulted is fascinating and well worth a visit.

Watching the Skywatchers

"Supernova" Pictograph

“Supernova” Pictograph

I recently finished reading Living the Sky: The Cosmos of the American Indian by Ray Williamson. This is a classic work on the archaeoastronomy of North America, and it’s the best introduction to the subject I’ve found. (Granted, there aren’t many out there.) Although it was written in the 1980s, the research it discusses is still quite relevant, and Williamson does a good job of giving a pretty comprehensive overview of research in most parts of the US. The 1970s and 1980s were kind of the heyday of archaeoastronomy in the US, and while there has been continuing research since then, it’s striking how few major discoveries have been made since Williamson’s book was published. Virtually all of the major discoveries I knew about before reading the book are included, plus many others I didn’t know about.

Williamson did quite a bit of research himself on astronomical phenomena at Chaco, which gets lots of coverage in the book. There is some discussion of the Sun Dagger on Fajada Butte, as well as of alignments at Pueblo Bonito and Casa Rinconada and the alleged “supernova petroglyph” near Peñasco Blanco. Williamson gives the latter a lot more credence than others, and actually has a whole chapter on alleged representations of the 1054 supernova in rock art, including several other sites I had not heard about. I’m pretty skeptical about the supernova stuff, but it’s interesting to hear about these other sites.

Reconstructed "Woodhenge" at Cahokia

Reconstructed “Woodhenge” at Cahokia

While the Chaco stuff is interesting, I already knew most of it and Williamson’s account doesn’t add a whole lot to anyone who is reasonably well-versed in it. Where this book really stands out for me is in its discussion of archaeoastronomy in other areas that get less attention, especially the Plains and California, which have a lot of archaeoastronomical phenomena despite their lack of impressive well-preserved architectural sites like those in the Southwest. The chapter on the East is also interesting, with discussion of the famous “Woodhenge” at Cahokia and the “SunWatch” site in Dayton, Ohio as well as other lesser-known sites. Even within the Southwest, Williamson devotes space to research at more obscure places like Hovenweep (which turns out to have a lot of interesting potential alignments) as well as major centers like Chaco.

Williamson also does a good job of connecting the archaeological data to ethnographic reports about astronomical practices among modern groups. There has historically been a tendency for archaeoastronomers, many of whom are astronomers or surveyors by training, to focus on identifying alignments without giving much consideration to the cultural context in which they may have existed. Williamson avoids this pitfall by giving extensive attention to ethnographic practices and their potential connections to the evidence from ancestral sites. He does a particularly good job with respect to the Pueblos, for which both the ethnographic and archaeological data are extensive, but he also includes extensive discussion of the Navajo, Pawnee, and Chumash, and some attention to various other groups. His interpretations of the ethnography at times show a tendency toward oversimplification, and some of his general comments about Native American societies are, well, overly general and imply more widespread commonalities among very different societies than is really reasonable, but he’s not an anthropologist and as such I think these flaws are quite forgivable given all the interesting data he presents in accessible form.

Hovenweep Castle, Utah

Hovenweep Castle, Utah

I also read a 2003 review article on archaeoastronomy in the Americas, written by prominent archaeoastronomer Anthony Aveni, to get a sense of research since the 1980s, but it didn’t add much. For one thing, as mentioned above, the pace of archaeoastronomy seems to have leveled off a lot since then, and it’s striking how many of the references in Aveni’s article are to publications from the 1970s and 1980s. Also, while the article does cover North America as one of its three main sections, it spends much more space on the other two sections, Mesoamerica and South America. This is unsurprising, since the major civilizations in these areas have written records (mostly from the contact period but in the case of the Maya precontact as well) to which archaeological data can be compared. In addition, they have just received more attention in general from archaeoastronomers than cultures further north. Aveni himself studies Mesoamerica, so he has a lot to say about research there.

That said, however, Aveni’s account of North American archaeoastronomy is also surprisingly sloppy and riddled with obvious errors. He refers to Cahokia as “part of the Adena-Hopewell culture,” which is just laughably wrong; Cahokia is the preeminent site of the Mississippian culture, which arose centuries after the decline of Hopewell. He also attributes the Poverty Point site in Louisiana to the Adena, whereas it is actually significantly earlier. His discussion of the Southwest doesn’t contain any obvious errors of that magnitude, but it is very brief and superficial, as is the whole North American section of the paper.

Fajada Butte with Green Vegetation

Fajada Butte with Green Vegetation

Overall, then, I guess I would say that Williamson’s book is a much better introduction to North American archaeoastronomy than Aveni’s article, but that is kind of a trivial conclusion since it’s also much easier to find for the general reader. Even academics who have access to the Aveni paper, though, probably won’t get much out of it on this topic.
ResearchBlogging.org
Aveni AF (2003). Archaeoastronomy in the Ancient Americas Journal of Archaeological Research, 11 (2), 149-191 DOI: 10.1023/A:1022971730558

Utah Welcome Sign

Utah Welcome Sign

The initial discovery of chemical markers for chocolate on potsherds from Chaco Canyon in 2009 was a hugely significant development in understanding Chaco. The evidence for the presence of chocolate, a Mesoamerican product that couldn’t possibly have been locally grown and is very unlikely to have been gradually traded northward through a series of intermediaries, gave a huge boost to the “Mexicanist” school of thought about Chaco, which holds that many of the unusual aspects of the Chaco system are due to influence from Mesoamerica.

The initial study only involved a few sherds, though, and understanding the exact role of chocolate at Chaco and its implications for Mexican contact needs a much deeper understanding of where and when cacao was present in the ancient Southwest. Thus, soon after the initial discovery further research by a different set of researchers (using somewhat different methods) began to test other pots from Chaco and elsewhere. They did find further evidence that at least some of the famous cylinder jars from Chaco were used in the consumption of chocolate, but they also found traces of cacao in vessels of similar form from the later Classic Hohokam period in southern Arizona, and, most surprisingly, also in vessels from the “small-house sites” at Chaco and elsewhere that are thought to have housed the lower classes of Chacoan society. The previous evidence for chocolate came from distinctive vessels at the “great houses” that are the hallmark of the Chaco system and seem to have been used by elites (though exactly what they used them for remains unclear and controversial). This is exactly the kind of setting where it would be unsurprising to find unusual, exotic things, and indeed the great houses clearly contained many such things in addition to the chocolate. Finding this sort of exotic foodstuff in more mundane pots at the small houses implies that it may have been more widely accessible than previously thought, which has important implications for understanding the nature of the Chaco system.

Well, now things have become even more complicated. The same researchers who did that follow-up study have done another, this time looking at a much earlier period and a different part of the Southwest. They used their same techniques to test for the presence of chocolate in pottery at Alkali Ridge Site 13 in southeastern Utah, a very important early village site dating to the eighth century AD. Site 13 was one of the earliest large villages established in the northern Southwest during the Pueblo I period, and its architecture shows some striking parallels to later Pueblo I villages such as McPhee Village in the Dolores, Colorado area, as well as to some of the early great houses at Chaco and elsewhere that developed even later. The early Pueblo I period in southern Utah is also associated with the introduction of a new type of pottery, San Juan Red Ware, which was widely traded from an apparently rather restricted production area and probably used for ceremonial purposes of some sort. In addition to being a different color from the more common gray and white pottery of the area, San Juan Red Ware also featured a distinctive design system in its decoration, one without obvious local antecedents. Combined with the distinctive architecture, this has led some archaeologists to posit that there was a migration into southern Utah during early Pueblo I from somewhere to the south, bringing these distinctive traits.

In that context, looking for cacao makes sense, as that would be a clear sign of ties to the south and cultural distinctiveness. Dorothy Washburn, who was the lead author on both this and the previous study,  has actually written mainly on design style in ceramics and other handicrafts, focusing on symmetry patterns. Based on the changes she has found in these patterns, she has argued for a very strong Mexicanist interpretation of Chaco, involving actual migration of people from far to the south bringing a distinctive pottery decoration style. She seems to have a similar view about Alkali Ridge, for similar reasons.

In any case, the study found that there was in fact evidence for cacao on several of the vessels found at Site 13, including some (but not all) of the redware ones. The conclusions, understandably, focus on the association between the new ceramic design system and the use of chocolate, but in fact the redware vessels don’t seem to be much more likely to have evidence of chocolate use than the other ones that were tested. It’s quite possible that San Juan Red Ware was associated with consumption of chocolate specifically, but it seems that other types of pottery were also used for chocolate-related purposes.

This is all very interesting, but it’s also confusing and hard to interpret, in a way that the authors of this paper don’t really address. Back when it seemed like chocolate was limited to cylinder vessels at Chaco great houses, that was easy to interpret: chocolate, like many other exotic goods found at these sites, was part of an extensive trading systems for elite goods, probably used for ritual purposes, which the elites of Chaco participated in (and perhaps dominated and directed). Finding it in the Hohokam vessels implied a similar system operating among elites at Classic Hohokam sites, which is consistent with some interpretations of Classic Hohokam society, plus the Hohokam in general show lots of evidence of contact with Mesoamerica in general so the presence of chocolate is much less surprising there than it was at Chaco. Finding it in the small houses at Chaco complicated the story somewhat and implied that the chocolate imported to Chaco wasn’t as restricted as had been thought, but since it was already known to be present at the great houses it’s not too surprising that the contemporaneous small houses had it too.

Alkali Ridge, though, is much earlier and much further north than any of these other sites. Getting chocolate there in significant quantities would have required a pretty elaborate and robust supply chain over a very long distance, much of which was inhabited by societies that are not generally considered to have been capable of this kind of long-distance coordination. Checking some of those intermediate areas (especially the Hohokam region) to see if they too had chocolate this early is necessary to understand the logistics of this.

There’s also the question of time. We now have evidence of chocolate from Utah in the eighth century, New Mexico (and to a lesser extent Colorado and Arizona) in the eleventh, and Arizona in the fourteenth. There are some big gaps there that need to be filled in to determine if these are three snapshots of a long-term and continuous tradition of chocolate consumption in the Southwest (which would have important implications about trade networks and relations with Mexico) or three separate episodes of chocolate being introduced from the south, possibly through population movement (which would have important implications for regional culture history in general). I think the most important place to look for evidence of continuity between Alkali Ridge and Chaco is in the large late Pueblo I villages in southwestern Colorado, especially the Dolores-area ones like McPhee Village. These sites have apparent connections to both earlier villages like Site 13 and later developments at Chaco. If they also reveal evidence for chocolate use, that would be a strong indication of continuity. The most important places to check for continuity between Chaco and the Classic Hohokam would probably be the Pueblo III communities in east-central Arizona, which again show connections in both directions. Both of these sets of sites are among the best-studied in the Southwest and there should be plenty of pots available for these analyses.

Finally, there is a methodological issue here. It’s possible that these tests aren’t actually detecting chocolate at all, but something else. The authors of the recent paper noted this possibility and looked into whether there are any plants native to the Southwest that might have chemical profiles similar to cacao that would throw off the analysis. They didn’t find any, but they note that many plants have not been analyzed in this way and it’s possible there is a different plant that is showing up in these analyses instead. Another possibility is that there is something about their method itself that is leading to false positives. It’s noteworthy that they have been finding much more extensive evidence of chocolate than the team, led by Patricia Crown and Jeffrey Hurst, that did the initial Chaco study found. That team hasn’t published any more about chocolate at Chaco since then, but I hear Crown was able to do some re-excavation in Room 28 at Pueblo Bonito this summer so there may be more from her on this in the future. Ideally I’d like to see a test of both methods on the same vessels to see how they match up.

The ultimate message here is that even important discoveries, like chocolate at Chaco, require many further studies and refinements to interpret properly. We’re nowhere near a full understanding of the true role of chocolate at Chaco or any other site in the prehistoric Southwest, but every study gets us closer.
ResearchBlogging.org
Washburn DK, Washburn WN, & Shipkova PA (2013). Cacao consumption during the 8th century at Alkali Ridge, southeastern Utah Journal of Archaeological Science, 40, 2007-2013 DOI: 10.1016/j.jas.2012.12.017

Black-on-white Sherd at Pueblo Alto

Black-on-white Sherd at Pueblo Alto

In keeping with what seems to be the recent pattern around here, my previous post led to some interesting discussion in the comments. Frequent commenter marcaeolog provided a link to a pdf version of Anna Shepard’s Ceramics for the Archaeologist, a classic work that challenges some of Florence Hawley’s theories that I discussed in the post. Andy Ward, who has done extensive experimental work attempting to recreate prehistoric pottery-making techniques, then chimed in with some information on his own efforts, focusing specifically on the question of what keeps carbon-based pigments from burning off during firing. Here’s part of his comment:

I have been doing research in just this area by collecting clays and firing them in open mesquite fires. While it is easier to keep carbon based paint on a pot in a reducing atmosphere this doesn’t account for polychromes. To make polychrome with a carbon based paint, like the ubiquitous Gila Polychrome, requires an oxidizing atmosphere. Certain kinds of clays have the ability to hold these carbon paints through a firing, bentonite clay in particular. Modern pueblo potters have used a slip called Cochiti slip which has these properties, ancient potters in cultures such as the Salado had access to similar slips.

As it turns out, Shepard had the same theory, based on her own experiments, which also provided solid evidence against Hawley’s theory, based on experiments with hydrofluoric acid, that it was compounds in the ash of the organic material that reacted with silica in the clay to protect the pigment from burning away. She acknowledged that this was a reasonable conclusion based on the information available to Hawley at the time, but Shepard’s own experiments comparing organic material with and without this sort of ash showed no substantial difference. Instead the biggest factor was clay type:

The most striking fact brought out by these tests is the effect of the type of clay on the permanence of the carbon. Bentonitic and other highly adsorptive clays retained a good black under firing conditions that completely oxidized the carbon on unnadsorptive, sedimentary clays. All of the clays that held the paint well required a high percentage of wafer to bring them to the plastic state and they had high shrinkage. These clays take up much more of the paint solution than the less adsorptive clays, and on drying, the clay plates are drawn tightly together, protecting the film of paint that surrounds them. The effectiveness of hydrofluoric acid in facilitating oxidation of carbon paints is explained by the fact that it attacks the clay, opening the surface and loosening the bond and thus exposing the carbon to air.

The upshot of this in cultural terms is that, contrary to what I said in an earlier post, it seems like the difference between mineral- and carbon-based black pigments is actually technological rather than cultural. Here’s Shepard again:

The relation of the type of clay to the depth of color of carbon paint from a plant extract is not a matter of merely theoretic interest to the technologist. It has a bearing on the distribution of this class of paint because it could not be produced in regions lacking adsorptive clays unless such clays could be obtained in trade. The use of plant extracts is not open to free choice or established merely by custom; it is limited by ceramic resources.

This is particularly interesting given the well-documented expansion of carbon-based pigments at the expense of mineral ones over the course of the late prehistoric period. If special clays were required to make this work, and those clays had restricted distributions, what accounts for the change? In areas that switched from mineral to carbon paint, such as Chaco, was this the result of a change in clay sources? The discovery, perhaps due to increased contact with other areas that had long used carbon, of which local clay sources worked for this? Importation of clay? Importation of finished pots? This raises a lot of questions, which to my knowledge have not received much attention in the archaeology of these areas, despite the fact that it’s now been several decades since Shepard’s research.

Black-on-white Potsherd at Kin Bineola

Black-on-white Potsherd at Kin Bineola

“Never read the comments” is generally sage advice, so it’s likely that many of my readers have missed the interesting comment thread in response to my previous post. I won’t try to summarize it all here, but the gist is that a potter showed up and took issue with my use of the word “paint” to describe the pigments applied to prehistoric Pueblo pottery. Apparently, while archaeologists routinely refer to these pigments as paints, that’s not actually an accurate characterization and they are instead best described as types of “slip,” a term that archaeologists usually use only for the underlying layer of thin clay that the “paints” are often applied to. There’s a long history of archaeologists appropriating and misusing terminology from other fields, so it’s not surprising that they would have done this in this case too, but I’m not sure how best to proceed with the terminology, as it is pretty useful in practice to be able to distinguish the underlying “slip” from the “painted” designs on top of it. For now I’ll try using the (hopefully) more neutral term “pigment” for the “paint” and continue to use “slip” for the underlying clay.

Another issue that came up in the discussion, however, is separate from the terminology. This is the question of how the carbon-based pigments that are so well known from many parts of the Southwest could have adhered to pots after firing at all. After all, at the temperatures necessary to create usable ceramics any purely carbon pigment would burn right off. As I started to think about it, I realized that this was indeed a puzzle, and I went looking back into the literature to see if it had been addressed anywhere.

As it turned out, it had, and in the very first research on this subject, that of Florence Hawley in the 1920s. Hawley was an important figure in Southwestern archaeology throughout much of the twentieth century, and her early chemical studies of pottery pigments were fundamental in establishing the classification system by which they have been interpreted ever since. The most important aspect of this system was the division between “carbon-based” and “mineral-based” black pigments, although looking back at her initial publication on this topic from 1929, it’s clear that the dichotomy is more subtle than the terms imply. In fact both types of pigment contain both carbon and mineral elements, the difference being the relative proportions and the specific minerals involved. Both involve the boiling of certain plants, usually Tansy mustard or Rocky Mountain beeweed, to create a thick, black substance that can be applied to an unfired pot with a brush. The carbon type consists only of this substance, while the mineral type involves a subsequent step of adding ground iron oxide before applying it to the pot. Hawley also identifies a third type using manganese, which she speculates was used for certain types of pottery made of clay to which the usual carbon pigment wouldn’t adhere properly. (She also identifies a fourth type, so-called “smudged” pottery, that resulted from adding organic material after firing and letting it sink into the clay. This type is generally associated with the Mogollon culture in the highlands of east-central Arizona and west-central New Mexico and is quite different from the others in appearance.)

The chemical tests Hawley suggests to distinguish among these types of pigment are complicated and involve the use of dangerous acids, so they have not caught on as routine methods for archaeological analysis in more recent years. The tests appear to have been worked out and conducted mainly by Hawley’s father Fred Hawley, who was a chemist at a smelter in one of the mining areas of Arizona. Instead of these tests, archaeologists have generally tried to learn to distinguish the more common types by sight. As one of the papers I discussed earlier found in a test of this method, it works pretty well except in more marginal cases that are difficult to interpret using the standard visual criteria. The methods that have been proposed more recently using modern imaging technology have also not yet become very popular. In general the visual criteria seem to work fine.

As I noted in the previous post, the fact that both organic and mineral pigments seem to work to create black designs, but the mineral type is basically the same as the carbon one, raises the question of why there were two types at all. I suggested that cultural tradition rather than technological considerations probably was the main factor. Hawley doesn’t address the question in those terms, but she does argue that the different pigment types correspond to different cultural traditions, and the second half of the paper consists of her conclusions about cultural provinces and their spheres of influence based on pigment types through time. Her basic scheme of carbon pigments predominating in western areas and mineral pigments further east has generally held up, but otherwise her interpretations show how little was known at the time about Southwestern prehistory. She was clearly writing before tree-ring dating had established a firm foundation for the absolute chronology of cultural developments and pottery types, and the assumptions she makes about which sites were contemporary are strikingly wrong in light of that chronology. This makes her conclusions about changing patterns of cultural influence through time basically useless.

All that said, what about the question I mentioned earlier? How does the carbon pigment survive firing? Hawley’s answer, backed up by the chemical tests, was that it actually contains some mineral inclusions in addition to the carbon, especially silica and carbonates that melt in the process of firing and form a very thin film over the carbon that protects it from burning away. She considers this layer too thin to be considered a glaze, but it appears to serve the same basic function. It only works, however, when firing is in a reducing atmosphere, i.e., with oxygen prevented from reaching the surface of the pot. It’s not totally clear from her explanation where these mineral compounds come from, but the implication seems to be that some are from the plants from which the pigment is made and others are perhaps from the clay of the underlying pot. In the case of the mineral pigments, these potential sources are complemented by the trace silica in the iron oxide. As the more recent papers note, this interpretation has been questioned by others, most significantly Anna Shepard (another pioneering ceramic analyst at the same time as Hawley). It seems clear, however, that getting these pigments to survive firing requires some sort of chemical reaction along these lines, involving compounds in the pigment and/or the clay, along with a reducing atmosphere during the firing process itself.

It turns out pottery is pretty complicated! Archaeologists usually use pottery types primarily as a means to date sites and establish trade relationships, but studying potsherds intently with an eye to technological issues can reveal a lot of additional and potentially useful information.
ResearchBlogging.org
Hawley, FM (1929). Prehistoric Pottery Pigments in the Southwest American Anthropologist, 31 (4), 731-754 DOI: 10.1525/aa.1929.31.4.02a00110

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