Probably no single material is more closely associated with Chaco than turquoise. The vast amounts found in Room 33 at Pueblo Bonito alone suggest its importance, but it has been found in considerable quantities at many different sites, both small houses and great houses and both inside and outside of the canyon. There is considerable evidence that manufacture of turquoise jewelry became a major activity in Chaco and some of the outlier communities during the period when the Chacoan system was beginning to form, and probable ornament manufacturing areas have been found at both great houses and small houses. It’s not clear what precise role turquoise may have played in the system (though there are some intriguing possibilities suggested by other lines of evidence), but it is apparent that it was an important one. It’s also important to note that unlike some rare artifacts, such as shell trumpets, turquoise seems to have been associated with the system as a whole rather than with Chaco Canyon or Pueblo Bonito specifically. Both finished artifacts and manufacturing debris are found in significant quantities at many outliers, especially to the south in the Red Mesa Valley.
What’s really remarkable about this apparent centrality of turquoise is that there are no turquoise deposits anywhere near Chaco, or indeed within the area covered by the Chaco system as a whole. All of this turquoise had to be imported from somewhere, and this importation was clearly occurring on a vast scale and over a relatively long period of time. The closest source of turquoise to Chaco is in the Cerrillos Hills south of Santa Fe, which have extensive turquoise deposits that show much evidence of being mined in antiquity (as well as in modern times), including some apparent campsites with material culture suggestive of a connection to the San Juan Basin. For a long time most researchers assumed that most or all of the turquoise at Chaco came from Cerrillos, and for a while it was fashionable to come up with theories explaining the rise of Chaco as being based on control of the Cerrillos mines and the trade routes connecting them with the vast market for turquoise in Mesoamerica. These theories have more recently fallen out of favor for a number of reasons, one being the general trend away from emphasizing Mesoamerican influence on the Chaco system and another being the inconvenient fact that many of the most productive turquoise deposits in the Southwest are in southern Arizona and New Mexico, considerably closer to Mexico than Chaco, which makes it difficult to explain how the Chacoans could have sustained a monopoly on the turquoise trade.
This whole issue would benefit greatly from more precise information on the actual source of Chaco’s turquoise. The idea that it came from Cerrillos is basically just an assumption based on geographical proximity, and while it’s a reasonable enough assumption there have been many attempts to use chemical properties of the turquoise to determine its precise origin and either confirm or deny the Cerrillos hypothesis. Most of the early attempts to do this using trace element analysis were unsuccessful, due mainly to the complicated internal structure of turquoise as a material. One recent paper, however, reports on a remarkably successful attempt to use a new technique based on isotope ratios to characterize sources and assign artifacts to them. The technique uses two isotope ratios: hydrogen to deuterium and copper-63 to copper-65. The combination of the two ratios can be used to define a two-dimensional space within which individual samples can be placed to determine if samples from the same source cluster together.
It turns out they do. The researchers used samples from a variety of Southwestern turquoise sources, most of which show clear evidence of having been used in antiquity, including three in the Cerrillos area, one in southern New Mexico, two each in Colorado and Arizona, and four in Nevada. They analyzed several samples from one of the Arizona mines to test internal variation within a single source. There turned out to be little variation, suggesting that individual sources generally have homogeneous isotope ratios, and the three Cerrillos sources also clustered close to each other, suggesting that this similarity in ratios operates at a regional as well as local scale.
The researchers also tested several pieces of turquoise found at several small houses in Chaco Canyon and one at the Guadalupe outlier community, which marks the far eastern edge of the Chacoan system and is the closest Chacoan community to Cerrillos. Guadalupe plays a key role in models of Chaco that posit Chacoan control of the Cerrillos mines, since any transport of turquoise from Cerrillos to Chaco would almost certainly have to have involved Guadalupe as an intermediate stop. Guadalupe is thus probably the outlying community most relevant to an investigation of Chacoan turquoise sources.
The results were interesting. Several of the artifacts seem to have come from Cerrillos, with a much higher proportion at Guadalupe than at Chaco, but a few other sources were present as well, including one of the Colorado sources at Guadalupe and the southern New Mexico source and two Nevada sources at Chaco. Four artifacts matched none of the sources tested, implying that they came from some other, as yet unidentified, source. The Chaco artifacts came from a wide range of chronological contexts, with earlier periods more strongly represented than later ones. The Guadalupe artifacts unfortunately didn’t come from a securely dated context, so nothing much can be said about their relative or absolute chronology. In general, the Chaco artifacts seem to have come from a wide range of sources in all time periods, but the sample size is so small that it is hard to come to any more specific conclusions.
This paper is really just a pilot project, intended primarily to demonstrate the methodology used, and the conclusion mentions that continued research using more sources and artifacts is underway. The main conclusion that can be drawn at this point is that assuming all the Chaco turquoise came from Cerrillos is no longer warranted, and it seems the trade networks in the prehistoric Southwest were much more elaborate and far-flung, at least for valuable, portable materials like turquoise, than such an assumption would suggest. Chaco may or may not have been primarily about turquoise, but it certainly wasn’t about Cerrillos turquoise.
HULL, S., FAYEK, M., MATHIEN, F., SHELLEY, P., & DURAND, K. (2007). A new approach to determining the geological provenance of turquoise artifacts using hydrogen and copper stable isotopes Journal of Archaeological Science DOI: 10.1016/j.jas.2007.10.001
Looks like a good start to the method. It will be interesting to see what develops as more sources and SW artifacts are tested.
And maybe “technique uses to isotope ratios” should be “technique uses 2 isotope ratios”. 🙂
So it should. Thanks for pointing that out.
Turquoise=Gold If you wrote a general history of the west it would be hard to not include the search for gold as a key factor in settlement patterns. Apparently every culture has their own particular shiny rock they covet and here in the distant past it was turquoise more than gold. When this is brought up I often hear that we do not find much turquoise in prehistoric structures except maybe at Chaco, which is not necessarily true. Also in some cases the lack of an artifact does not necessarily mean it was not important. I am guessing that if you dug every miners cabin in Colorado you might not find much gold either, and maybe not even the tools to process it but that does not mean it was not important. Looking at early pit-structures there is feature called a vault (a rectangular sub floor box) that occurs in many houses of the Basketmaker III period, up through central Arizona to the S. tip of Nevada and then off to Rio Grande by way of the Chama River. If you connect the dots it includes settlement in areas adjacent to many of the best known turquoise mines in the southwest. I wonder if this sudden use of formal pit-structures with the same interior feature (said by Acoma to be tied to war cults) has anything to do with a push for turquoise through lands occupied by less civil folks…